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The killer doll is back! The all-new film is the fifth in the popular series of Chucky (”Child’s Play”) horror comedies. Making his directorial debut is the franchise creator and writer of all five films, Don Mancini. The film introduces Glen (voiced by “The Lord of the Rings” star Billy Boyd), the orphan doll offspring of the irrepressible devilish-doll-come-to-life Chucky (again voiced by series star Brad Dourif) and his equally twisted bride Tiffany (again voiced by Jennifer Tilly). When production starts on a movie detailing the urban legend of his parents’ lethal exploits, Glen heads for Hollywood where he brings his bloodthirsty parents back from the dead. The family dynamics are far from perfect as Chucky and Tiffany go Hollywood and get rolling on a new spree of murderous mayhem; much to gentle Glen’s horror. Chucky can’t believe that his child doesn’t want to walk in his murdering footsteps, and star-struck Tiffany can’t believe that the movie will star her favorite actress, Jennifer Tilly (playing herself), who soon becomes an unwitting hostess to this new family in more ways than one…

An out-of-control speed freak (Schwartzman) is introduced his drug of choice’s creator (Rourke) by his dealer (Leguizamo). A massive three-day adventure ensues (with Fugit, Murphy, and Suvari in tow).

Strangers from all different walks of life: a limo driver escorting a movie star, parents with a young son, a cop transporting a convict, a prostitute, a young couple, and a motel manager are caught up in a nasty rainstorm, stuck at a motel in desolate Nevada. Soon they realize they may be at the motel for another reason when one by one, people start getting killed off. As tensions flare and fingers are pointed, they have to get to the bottom of why they’re there. Meanwhile in an undisclosed location, a psychiatrist is trying to prove the innocence of a man accused of murder in an eleventh hour trial. How these two through-lines are related can only be found in Identity.

Epic tale of a group of Jewish gangsters in New York, from childhood, through their glory years during prohibition, and their meeting again 35 years later.

An elderly Jewish widow living in Atlanta can no longer drive. Her son insists she allow him to hire a driver, which in the 1950s meant a black man. She resists any change in her life but, Hoke, the driver is hired by her son. She refuses to allow him to drive her anywhere at first, but Hoke slowly wins her over with his native good graces. The movie is directly taken from a stage play and does show it. It covers over twenty years of the pair’s life together as they slowly build a relationship that transcends their differences.