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Lee Holloway is a smart, quirky woman in her twenties who returns to her hometown in Florida after a brief stay in a mental hospital. In search of relief from herself and her oppressive childhood environment, she starts to date a nerdy friend from high school and takes a job as a secretary in a local law firm, soon developing an obsessive crush on her older boss, Mr. Grey. Through their increasingly bizarre relationship, Lee follows her deepest longings to the heights of masochism and finally to a place of self-affirmation.

Nearly 10 years have passed since Sarah Connor was targeted for termination by a cyborg from the future. Now her son, John, the future leader of the resistance, is the target for a newer, more deadly terminator. Once again, the resistance has managed to send a protector back to attempt to save John and his mother Sarah.

The story is based on Jane Austen’s novel about five sisters - Jane, Elizabeth, Mary, Kitty and Lydia Bennet - in Georgian England. Their lives are turned upside down when a wealthy young man (Mr. Bingley) and his best friend (Mr. Darcy) arrive in their neighborhood.

The Addams step out of Charles Addams’ cartoons. They live with all of the trappings of the macabre (including a detached hand for a servant) and are quite wealthy. Added to this mix is a crooked accountant and his loan shark and a plot to slip in the shark’s son into the family as their long lost Uncle Fester. Can the false Fester find his way into the vault before he is discovered?

A sharp-witted suburban wife, Terry Wolfmeyer, is left to raise her four headstrong daughters when her husband unexpectedly disappears. Things get even more hectic when she falls for her neighbor Denny, a once-great baseball star turned radio d.j. This leaves her daughters out on a limb. They are forced to juggle their mom’s romantic dilemmas as well as their own.

The story begins as “Don” Vito Corleone, the head of a New York Mafia “family”, oversees his daughter’s wedding. His beloved son Michael has just come home from the war, but does not intend to become part of his father’s business. Through Michael’s life the nature of the family business becomes clear. The business of the family is just like the head of the family, kind and benevolent to those who give respect, but given to ruthless violence whenever anything stands against the good of the family. Don Vito lives his life in the way of the old country, but times are changing and some don’t want to follow the old ways and look out for community and “family”. An up and coming rival of the Corleone family wants to start selling drugs in New York, and needs the Don’s influence to further his plan. The clash of the Don’s fading old world values and the new ways will demand a terrible price, especially from Michael, all for the sake of the family.

Marty McFly is an aspiring musician, but he is not sure of what the future holds for him; first his band was rejected as the performing band for the school dance, and historically, no McFly has succeeded in anything. The only bright spots in his existence are his girlfriend and Emmett Brown, the town crackpot scientist, who is Marty’s good friend. Marty was helping brown with his latest invention a time machine, which is fitted into a Delorean. The time machine needs a tremendous amount of power to work, which he gets from plutonium. Now Brown got the plutonium from some Libyans who want him to build a bomb; they find Brown and shoot him, Marty gets into the Delorean and drives off and when he reaches the speed of 88 mph that activates the time machine, he finds himself in 1955, cause that was the date that Brown entered, which was when he first conceived the time machine. Now having already used up all the power of the plutonium, Marty must find a way to get it working, so he can go back to his own time. Marty looks for Brown but before he does, he runs into his father as a teenager, and accidentally interferes with his father’s first meeting of Lorraine, his future mother. Marty then goes to see Brown and convinces him that he is from the future and to help him. But when he learns of the amount of power that is needed to power the machine, he tells Marty that it’s hopeless cause the only other thing that can generate that much power is a bolt of lightning and it’s impossible to determine when and where they will strike, but Marty has with him an old newspaper cliping that states that the town clock tower will be struck by lightning, so they plan to draw the energy from the lightning so they can power the machine. But before they do, Marty must act as cupid for his parents cause it seems that because they never met they won’t fall in love and get married and Marty will not exist.

Harvey Pekar is file clerk at the local VA hospital. His interactions with his co-workers offer some relief from the monotony, and their discussions encompass everything from music to the decline of American culture to new flavors of jellybeans and life itself. At home, Harvey fills his days with reading, writing and listening to jazz. His apartment is filled with thousands of books and LPs, and he regularly scours Cleveland’s thrift stores and garage sales for more, savoring the rare joy of a 25-cent find. It is at one of these junk sales that Harvey meets Robert Crumb, a greeting card artist and music enthusiast. When, years later, Crumb finds international success for his underground comics, the idea that comic books can be a valid art form for adults inspires Harvey to write his own brand of comic book. An admirer of naturalist writers like Theodore Dreiser, Harvey makes his American Splendor a truthful, unsentimental record of his working-class life, a warts-and-all self portrait. First published in 1976, the comic earns Harvey cult fame throughout the 1980s and eventually leads him to the sardonic Joyce Barber, a partner in a Delaware comic book store who end ups being Harvey’s true soul mate as they experience the bizarre byproducts of Harvey’s cult celebrity stature.

Peter Pan (Williams) has grown up to be a cut-throat merger and acquisitions lawyer, and is married to Wendy’s granddaughter. Captain Hook (Hoffman) kidnaps his children, and Peter returns to Never Land with Tinkerbell (Roberts). With the help of her and the Lost Boys, he must remember how to be Peter Pan again in order to save his children by battling with Captain Hook once again.

Ken Park focuses on several teenagers and their tormented home lives. Shawn seems to be the most conventional. Tate is brimming with psychotic rage; Claude is habitually harassed by his brutish father and coddled, rather uncomfortably, by his enormously pregnant mother. Peaches looks after her devoutly religious father, but yearns for freedom. They’re all rather tight, or so they claim. But they spend precious little time together and none of them seems to know much about one another’s family lives. This bizarre dichotomy underscores their alienation # the result of suburban ennui, a teenager’s inherent sense of melodrama, and the disturbing nature of their home environments.