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A modern-day Frank Capra story. Jack Campbell, a successful and talented businessman, is happily living his single life. He has everything, or so he thinks. One day he wakes up in a new life where he didn’t leave his college girlfriend for a London trip. He’s married to Kate, lives in Jersey and has two kids. He, of course, desperately wants his life back for which he has worked 13 years for. He’s president of P. K. Lassiter Investment House and not a tire salesman at Big Ed’s. He drives a Ferrari and not a mini-van that never starts. And most importantly he doesn’t wake up in the morning with kids jumping on the bed. After a bad start, day by day he’s more confident in his new life and starts to see what he’s been missing. Turns out money’s good to have but that’s not everything.

Two men wake up at opposite sides of a dirty, disused bathroom, chained by their ankles to pipes. Between them lies a dead man loosely clutching a hand-held tape player and a handgun. Each finds a tape the perfect fit for the player in their back pocket. They play the tapes. One is threatened, the other isn’t. But they have a task: One must kill the other by 6:00, or his wife and daughter will die. They find hacksaws in a toilet, and try to cut the chains, but it doesn’t work. They are the two newest victims of the Jigsaw Killer. In a flashback, we learn of Amanda, a girl who falls victim to the Jigsaw Killer. On her head is a mask, which is hooked into her lower jaw. There is a timer on it. Only one key will unlock it, and that key is in the digestive tract of her cell mate who lies paralyzed on the opposite side of the room. If she doesn’t unlock the mask in time, her lower jaw will be ripped wide open. She survives, but her cell mate doesn’t. Through a series of flashbacks, we learn of more victims, and of the nearly-successful capture of the Jigsaw Killer, who doesn’t actually kill his victims. Instead, he finds ways to make them kill either themselves, or each other, and he thinks the entire ‘game’ out perfectly, with no other ways out. Or so it would seem.

Molly Gunn (Murphy), the freewheeling daughter of a deceased rock legend, is forced to get a job when her manager steals her money. As nanny for precocious Ray (Fanning), the oft ignored daughter of a music executive (Locklear) she learns what it means to be an adult while teaching Ray how to be a child.

Mollie is a single mum who’s on the lookout for a reliable and normal boyfriend. Her son Mikey, (unbeknownst to her) seems to have a better idea of which of the men she dates would make a good father figure! If only she could understand him…

Dennis Clegg is in his thirties and lives in a halfway house for the mentally ill in London. Dennis, nicknamed “Spider” by his mother has been institutionalized with acute schizophrenia for some 20 years. He has never truly recovered, however, and as the story progresses we vicariously experience his increasingly fragile grip on reality.

Massoud Amir Behrani, an Iranian immigrant, has spent most of his savings trying to enhance his daughter’s chances of a good marriage. Once she is married, he spends the remaining funds on a house at an auction, unwittingly putting himself and his family in the middle of a legal tussle with the house’s former owner. What begins as a legal struggle turns into a personal confrontation, with tragic results.

An FBI agent tracks down and catches a young con artist who successfully impersonated an airline pilot, doctor, assistant attorney general and history professor, cashing more than $2.5 million in fraudulent checks in 26 countries.

Capitalizing on his fame as the star of “Hogan’s Heroes,” Bob Crane (Greg Kinnear) dove into the freewheeling spirit of the 60s and 70s with relish, having affairs with numerous women. Eventually, Crane teamed up with video technician John Carpenter to document his exploits, an association that may very well have led to his murder in a Scottsdale, Arizona motel room in 1978, which remains officially unsolved to this day.

Beginning in the 1930’s, “The English Patient” tells the story of Count Almasy who is a Hungarian map maker employed by the Royal Geographical Society to chart the vast expanses of the Sahara Desert along with several other prominent explorers. As World War II unfolds, Almasy enters into a world of love, betrayal, and politics that is later revealed in a series of flashbacks while Almasy is on his death bed after being horribly burned in a plane crash.

Norman Spencer, a university research scientist, is growing more and more concerned about his wife, Claire, a retired concert cellist who a year ago was involved in a serious auto accident, and who has just sent off her daughter Caitlin (Norman’s stepdaughter) to college. Now, Claire reports hearing voices and witnessing eerie occurrences in and around their lakeside Vermont home, including seeing the face of a young woman reflected in water. An increasingly frightened Claire thinks the phenomena have something to do with the couple living next door, especially since the wife has disappeared without apparent explanation. At her husband’s urging, Claire starts to see a therapist; she tells him she thinks the house is being haunted by a ghost. His advice? Try to make contact. Enlisting the help of her best friend, Jody, and a ouija board, Claire seeks to find out the truth of What Lies Beneath.