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A man, Joel Barish, heartbroken that his girlfriend Clementine underwent a procedure to erase him from her memory, decides to do the same. However, as he watches his memories of her fade away, he realizes that he still loves her, and may be too late to correct his mistake.

Ron Burgundy (Ferrell) is the top-rated anchorman in San Diego in the ’70s. When feminism marches into the newsroom in the form of ambitious newswoman Veronica Corningstone (Applegate), Ron is willing to play along at first-as long as Veronica stays in her place, covering cat fashion shows, cooking, and other “female” interests. But when Veronica refuses to settle for being eye candy and steps behind the news desk, it’s more than a battle between two perfectly coiffed anchor-persons… it’s war.

Kaneda is a bike gang leader whose close friend Tetsuo gets involved in a government secret project known as Akira. On his way to save Tetsuo, Kaneda runs into a group of anti-government activists, greedy politicians, irresponsible scientists and a powerful military leader. The confrontation sparks off Tetsuo’s supernatural power leading to bloody death, a coup attempt and the final battle in Tokyo Olympiad where Akira’s secrets were buried 30 years ago.

Miles Massey, a prominent Los Angeles divorce attorney has everything—and in some cases, two of everything. Despite his impressive client list, a formidable win record, the respect of his peers and an ironclad contract (the Massey pre-nup) named after him, he’s reached a crossroads in his life. Sated on success, boredom has set in and he’s looking for new challenges. All that changes when Miles meets his match in the devastating Marylin Rexroth. Marylin is the soon-to-be ex-wife of his client Rex Rexroth, a wealthy real estate developer and habitual philanderer. With the help of hard charging private investigator Gus Petch, she has Rex nailed and is looking forward to the financial independence a successful divorce will bring. But thanks to Miles’ considerable skills, she ends up with nothing. Not to be outdone, Marylin schemes to get even and as part of her plan, quickly marries oil tycoon Howard Doyle. Miles and his unflappable associate, Wrigley, unwittingly dig themselves in deeper and deeper as they go head-to-head with Marylin. Underhanded tactics, deceptions and an undeniable attraction escalate as Marylin and Miles square off in this classic battle of the sexes.

In the hilarious comedy Daddy Day Care, two fathers (Eddie Murphy, Jeff Garlin) lose their jobs in product development at a large food company and are forced to take their sons out of the exclusive Chapman Academy and become stay-at-home fathers. With no job possibilities on the horizon, the two dads open their own day care facility, “Daddy Day Care”, and employ some fairly unconventional and sidesplitting methods of caring for children. As “Daddy Day Care” starts to catch on, it launches them into a highly comedic rivalry with Chapman Academy’s tough-as-nails director (Anjelica Huston) …who has driven all previous competitors out of business.

The story begins as “Don” Vito Corleone, the head of a New York Mafia “family”, oversees his daughter’s wedding. His beloved son Michael has just come home from the war, but does not intend to become part of his father’s business. Through Michael’s life the nature of the family business becomes clear. The business of the family is just like the head of the family, kind and benevolent to those who give respect, but given to ruthless violence whenever anything stands against the good of the family. Don Vito lives his life in the way of the old country, but times are changing and some don’t want to follow the old ways and look out for community and “family”. An up and coming rival of the Corleone family wants to start selling drugs in New York, and needs the Don’s influence to further his plan. The clash of the Don’s fading old world values and the new ways will demand a terrible price, especially from Michael, all for the sake of the family.

The movie continues where the last one with Marty stuck in 1955. But Doc Brown sent him a letter from 1855 through Western Union, that told him that after the Delorean was struck by lightning he was sent to 1855 and was unable to repair it, but has managed to bury it somewhere, where Marty can get to it in 1955 and hopefully the younger version of himself can repair it so he can drive it back to 1985 and then destroy it. But after finding it, Marty discovers that shortly after sending the letter Doc would be shot by an outlaw, Mad Dog Tannen. Marty then goes back to 1885 to save him and meets his ancestors. After finding the Doc, they were about to leave when Marty told the Doc that upon arriving the Delorean’s gas tank was punctured, so they don’t have any gasoline to run the car, which means they have to find some way to get the car to 88 mph. They decide to try pushing it with a locomotive. And things are fine except for the fact that Tannen, who had it in for Doc, now has it for Marty and has challenged him to gunfight on the day that they are going to leave, and Doc is smitten with Clara Clayton, the new school teacher.

Marty McFly is an aspiring musician, but he is not sure of what the future holds for him; first his band was rejected as the performing band for the school dance, and historically, no McFly has succeeded in anything. The only bright spots in his existence are his girlfriend and Emmett Brown, the town crackpot scientist, who is Marty’s good friend. Marty was helping brown with his latest invention a time machine, which is fitted into a Delorean. The time machine needs a tremendous amount of power to work, which he gets from plutonium. Now Brown got the plutonium from some Libyans who want him to build a bomb; they find Brown and shoot him, Marty gets into the Delorean and drives off and when he reaches the speed of 88 mph that activates the time machine, he finds himself in 1955, cause that was the date that Brown entered, which was when he first conceived the time machine. Now having already used up all the power of the plutonium, Marty must find a way to get it working, so he can go back to his own time. Marty looks for Brown but before he does, he runs into his father as a teenager, and accidentally interferes with his father’s first meeting of Lorraine, his future mother. Marty then goes to see Brown and convinces him that he is from the future and to help him. But when he learns of the amount of power that is needed to power the machine, he tells Marty that it’s hopeless cause the only other thing that can generate that much power is a bolt of lightning and it’s impossible to determine when and where they will strike, but Marty has with him an old newspaper cliping that states that the town clock tower will be struck by lightning, so they plan to draw the energy from the lightning so they can power the machine. But before they do, Marty must act as cupid for his parents cause it seems that because they never met they won’t fall in love and get married and Marty will not exist.

Romantic comedy set in London in the late 16th century: Young playwright William Shakespeare struggles with his latest work “Romeo and Ethel the Pirate’s Daughter”. A great fan of Shakespeare’s plays is young, wealthy Viola who is about to be married to the cold-hearted Lord Wessex, but constantly dreams of becoming an actress. Women were not allowed to act on stage at that time (female roles were played by men, too), but dressed up as a boy, Viola successfully auditions for the part of Romeo. Soon she and William are caught in a forbidden romance that provides rich inspiration for his play.

This film is presented as a documentary on the life of an incompetent, petty criminal called Virgil Starkwell, played by Woody Allen. It describes the early childhood and youth of Virgil, his failure at a musical career, and his obsession with bank robberies. The film uses a voice over narrative and interviews with his family, friends and acquaintances.